Becky is a writer, director, and facilitator with over ten years experience working in the theatre industry. Having initially trained as an actor, she developed a love for directing and writing through working with the Young Rep and Red River Theatre.

Drawing on her own journey as a female footballer, she applied to Arts Council England who funded the writing and creation of Good for a Girl, her first full-length play. Having played for teams across the South East and the Midlands, Becky’s own prolific football experience gives her a unique perspective as the playwright.

Her previous written work has been performed at the Birmingham Rep, Midlands Art Centre, and The Atkins Gallery. Her work for film has been used at international human trafficking conferences. Becky is particularly focused on writing that will engage young people, new audiences and bring about social change.

Lucy is a Director, Movement Director, Choreographer and Facilitator.

She uses the arts to engage and empower people, as a tool to inspire, connect and make positive change. Her work shares often unheard stories and voices. She aims to break down barriers to the arts and make the world more accessible and inclusive.

Companies she has worked for include Frantic Assembly, New Adventures, Royal Lyceum Theatre, Birmingham Repertory Theatre, Derby Theatre and King’s and Theatre Royal Glasgow among others. She is also the founder of feminist arts organisation Fractured Glass and co-founder of Overdrive Dance Company.

Laura is the Head of Scenic Art at Birmingham Rep and has painted for theatre, film, concerts, theme parks and museums around the world.

She studied at Birmingham Institute of Art & Design gaining a BA(hons) in Theatre Design and an MA in Sceneography.

Design credits include: A Christmas Carol: A Ghost Story, associate (Birmingham Rep); Love & Rebellion (Birmingham Rep); Beauty & The Beast (Shaw Theatre); Camp Rock (Madinat Theatre); Cinderella; Dick Whittington; Snow White; Beauty & The Beast (Cresset Theatre); Wuthering Heights; Dracula; Misery; Billy Liar; Same Time, Next Year; To Kill a Mockingbird; Lysistrata (Ashcroft Theatre); Dick Barton: Quantum of Porridge; Fistful of Barton (Warehouse Theatre); Pictures at an Exhibition (Birmingham Royal Ballet).

Art Director credits include: The Jorvik Viking Centre & Thomas Land USA.

Ocean is a Costume and Textile artist with 10 years’ experience in Theatre, TV, Film and socially engaged arts. Her work is invested in exploring and pushing the possibilities of costume as a key storytelling tool; an extension of both character and set.

Recent Textile Artist credits include: Rings of Power (Amazon), The Swimmers (Netflix), See How They Run (Disney) and Bridget Jones (Working Title).

Jessie is a Hull based lighting designer. Their training is rooted in years of hands-on experience as a technician and theatre maker. They were an ALPD Lumiere (2020).

Recent credits include: The Borrowers (Hull Truck), Steel (Theatre by The Lake), Baby He Loves You (Middle Child), La Scala di Seta (RNCM), Snowmen (The Herd), Pinocchio (Hull Truck), These Majestic Creatures (Stephen Joseph Theatre), We Could All Be Perfect (Sheffield Theatres), Modest (Middle Child), Brief Encounter (The New Wolsey & Salisbury Playhouse), Children of the Night (CAST), Ladies Day (The New Vic & The Octagon Theatre), The Whispering Jungle (Concrete Youth), The Beauty Queen of Leenane (Hull Truck/Queens Theatre Hornchurch), The Canary and The Crow (Middle Child).

Associate Credits Include: Animal Farm (The Octagon), Sanctuary (Red Ladder), Dogs (Liverpool Playhouse), 71 Coltman Street (Hull Truck Theatre), Megalith (Mechanimal), Shedding a Skin (SOHO Theatre).

Clive is also a visiting lecturer at University of Birmingham and BOA Stage & Screen.

Theatre credits include: Peter Pan the Musical (BOA Group), Love & Rebellion, Order & Chaos, Parklife, Uncommon Riches, GrimeBoy, The Play What I Wrote, Sky Comedy Rep, Blue/Orange, Stuff, Elephant, To Sir With Love, The Quiet House, The Rotters’ Club, Folk, Unknown Male, The Mother, Respect, Cling To Me Like Ivy, Last Easter, How To Tell The Monsters From The Misfits, Looking For Yoghurt, and Hopelessly Devoted (Birmingham Repertory Theatre). Faustus: That Damned Woman, Bad Roads, Serious Money, The Trojan Women, The Penolopiad, The Learning Lottery, How to Disappear Completely and Never Be Found, Byrthrite, Animal Farm (University of Birmingham).

As Associate Sound Designer: Counting & Cracking – UK tour (Belvoir), Family Tree – UK tour (Actors Touring Company)

Audio work: Chase Tales Trail (Cannock Chase Council & Birmingham Rep)

Hope is a Producer developing and producing work across the commercial and subsidised theatre sector.

She is currently Associate Producer at the Old Vic, London. Prior to this she was Producer at Birmingham Repertory Theatre, Associate Producer for Jonathan Church Theatre Productions and worked with acclaimed touring company, Headlong. She has worked on multiple Olivier award-winning productions and tours, both nationally and internationally. She is a Trustee for participatory, feminist theatre company Spare Tyre, based in South East London and holds a Masters in Arts Policy and Management from Birkbeck.